{"id":9453,"date":"2023-04-25T11:03:21","date_gmt":"2023-04-25T11:03:21","guid":{"rendered":"https:\/\/damesnet.com\/?p=9453"},"modified":"2023-04-25T11:03:23","modified_gmt":"2023-04-25T11:03:23","slug":"berthe-morisot-shaping-impressionism","status":"publish","type":"post","link":"https:\/\/damesnet.com\/?p=9453","title":{"rendered":"Berthe Morisot: Shaping Impressionism"},"content":{"rendered":"\n<p><strong>Dulwich Picture Gallery, until 10 September 2023<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day.jpg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day-1024x626.jpg\" alt=\"\" class=\"wp-image-9465\" width=\"636\" height=\"388\" srcset=\"https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day-1024x626.jpg 1024w, https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day-300x183.jpg 300w, https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day-768x470.jpg 768w, https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day-600x367.jpg 600w, https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day-1536x939.jpg 1536w, https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day-1320x807.jpg 1320w, https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/summers-day.jpg 1766w\" sizes=\"(max-width: 636px) 100vw, 636px\" \/><\/a><figcaption>Summer&#8217;s Day\/National Gallery<\/figcaption><\/figure><\/div>\n\n\n\n<p>Yet again I feel moved to give thanks for serendipity: I had no idea when we moved to our present house 36 years ago that it was within walking distance of Dulwich Picture Gallery (in fact, the presence of small children in the house \u2013 my own, I hasten to add! \u2013 meant that it was some time before I even discovered its existence).<\/p>\n\n\n\n<p>Over recent years there have been many fantastic exhibitions there \u2013 Tove Jansson, Vanessa Bell, Nikolai Astrup, MK \u010ciurlonis \u2013 but somehow the knowledge that there are paintings by Impressionist megastar Berthe Morisot just down the road is particularly thrilling.<\/p>\n\n\n\n<p>I went along to the launch of the exhibition earlier this month, and it was by turns illuminating, moving \u2013 and convivial. At these events you can wander around the permanent collection with a glass of something in your hand \u2013 anything, in fact, as long as it\u2019s not red wine. However, all drinks had to be relinquished before going in to see Berthe Morisot\u2019s work. The Mus\u00e9e Marmottan Monet in Paris, who have lent many of the paintings on display, would no doubt take a dim view of beer-stained canvasses being returned to them.<\/p>\n\n\n\n<p>No matter \u2013 the works themselves are intoxicating enough. The sheer range of them is impressive, for a start: there are the domestic interiors that her most famous painting \u2013 her sister Edma gazing at her baby sleeping in its crib \u2013 would lead us to expect, but there are also plein-air pictures, scenes from Parisian life, and portraits formal and informal. A late work showing her daughter Julie sitting with the family dog next to the empty chair of Morisot\u2019s deceased husband Eug\u00e8ne Manet is particularly poignant.<\/p>\n\n\n\n<p>Morisot was renowned for the speed with which she painted, and here we have evidence of it in two open-air scenes (<em>Summer\u2019s Day<\/em> being one of them) painted on the same day in 1879. There was a practical purpose to this swift execution: generally respectable women did not hang around outside in the public space, and the sight of one doing so was bound to attract attention. Morisot solved this dilemma by going out very early, taking a model\/assistant with her and working quickly.<\/p>\n\n\n\n<p>She has even painted this technique into one of her portraits: that of her niece and fellow artist Paule Gobillard. While the subject\u2019s attention is still \u2013 focused intently on the image she is creating \u2013 a flurry of her characteristic swift, loose strokes captures her hand and brush as they move feverishly from palette to canvas.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/Berthe-Morisot-Young-Woman-Watering-a-Shrub.jpeg\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/Berthe-Morisot-Young-Woman-Watering-a-Shrub.jpeg\" alt=\"\" class=\"wp-image-9481\" width=\"245\" height=\"303\" srcset=\"https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/Berthe-Morisot-Young-Woman-Watering-a-Shrub.jpeg 566w, https:\/\/damesnet.com\/wp-content\/uploads\/2023\/04\/Berthe-Morisot-Young-Woman-Watering-a-Shrub-243x300.jpeg 243w\" sizes=\"(max-width: 245px) 100vw, 245px\" \/><\/a><figcaption>Young Woman Watering a Shrub\/ Virginia Museum of Fine Arts<\/figcaption><\/figure><\/div>\n\n\n\n<p>A key theme of this exhibition is Morisot\u2019s fondness for, and engagement with, 18th century art: Fragonard and Watteau in France, but then she discovered Gainsborough, Reynolds and Romney when she came to England on her honeymoon. Several of these paintings have been hung alongside her works so that we can see these direct correspondences \u2013 leading one critic to complain that of 43 pictures in the exhibition, 13 are not by her. It\u2019s a valid point, but I think this major influence on her output is worth exploring. Some of the portraits are reworkings of the subject in her own style, and other paintings make more subtle reference to their predecessors: there is a charming, informal painting of a young woman, possibly Edma, in her shift watering a shrub on her terrace, and lifting the side of her shift with exactly the same gesture as the courtly dancer lifts her voluminous skirts in Watteau\u2019s <em>Les Plaisirs du Bal<\/em>, which hangs next to it.<\/p>\n\n\n\n<p>This is the largest exhibition of Morisot\u2019s work in England for 70 years, and there is so much to enjoy that I know I\u2019ll be going back, probably more than once.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230; her hand and brush move feverishly from palette to  canvas&#8230;<\/p>\n","protected":false},"author":4,"featured_media":9465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[73,316,70,182],"tags":[131,501,111],"_links":{"self":[{"href":"https:\/\/damesnet.com\/index.php?rest_route=\/wp\/v2\/posts\/9453"}],"collection":[{"href":"https:\/\/damesnet.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/damesnet.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/damesnet.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/damesnet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9453"}],"version-history":[{"count":14,"href":"https:\/\/damesnet.com\/index.php?rest_route=\/wp\/v2\/posts\/9453\/revisions"}],"predecessor-version":[{"id":9485,"href":"https:\/\/damesnet.com\/index.php?rest_route=\/wp\/v2\/posts\/9453\/revisions\/9485"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/damesnet.com\/index.php?rest_route=\/wp\/v2\/media\/9465"}],"wp:attachment":[{"href":"https:\/\/damesnet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/damesnet.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/damesnet.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}